A couple of weeks after his new 𝑡𝒆𝒐𝒏 π‘ͺπ’π’π’π’π’Šπ’‚π’π’Šπ’”π’Žπ’ album, Angolan/Portuguese artist Batida releases a new music video, which he describes as follows:

β€œπ΅π‘’π‘š π‘£π‘–π‘›π‘‘π‘œβ€ π‘šπ‘’π‘Žπ‘›π‘  β€œπ‘€π‘’π‘™π‘π‘œπ‘šπ‘’β€ 𝑖𝑛 π‘ƒπ‘œπ‘Ÿπ‘‘π‘’π‘”π‘’π‘’π‘ π‘’. 𝐼𝑑 π‘€π‘Žπ‘  π‘‘β„Žπ‘’ π‘™π‘Žπ‘ π‘‘ π‘‘π‘Ÿπ‘Žπ‘π‘˜ 𝐼 π‘“π‘–π‘›π‘–π‘ β„Žπ‘’π‘‘ π‘“π‘œπ‘Ÿ π‘‘β„Žπ‘–π‘  π‘Žπ‘™π‘π‘’π‘š, π‘Žπ‘›π‘‘ 𝑖𝑑 𝑒𝑛𝑑𝑒𝑑 𝑒𝑝 𝑏𝑒𝑖𝑛𝑔 π‘‘β„Žπ‘’ π‘œπ‘π‘’π‘›π‘’π‘Ÿ. π΅π‘’π‘š π‘‰π‘–π‘›π‘‘π‘œ π‘ π‘‘π‘Žπ‘Ÿπ‘‘π‘’π‘‘ π‘€π‘–π‘‘β„Ž π‘Ž π‘—π‘Žπ‘š π‘ π‘’π‘ π‘ π‘–π‘œπ‘› π‘€π‘–π‘‘β„Ž π‘šπ‘¦ π‘“π‘Ÿπ‘–π‘’π‘›π‘‘ π‘“π‘Ÿπ‘œπ‘š πΏπ‘’π‘Žπ‘›π‘‘π‘Ž (π΄π‘›π‘”π‘œπ‘™π‘Ž) 𝐷𝐽 π‘†π‘Žπ‘‘π‘’π‘™π‘–π‘‘π‘’ π‘‘π‘’π‘Ÿπ‘–π‘›π‘” β„Žπ‘–π‘  𝑣𝑖𝑠𝑖𝑑 π‘‘π‘œ πΏπ‘–π‘ π‘π‘œπ‘Ž, π‘Žπ‘›π‘‘ π‘‘β„Žπ‘’π‘› π‘’π‘£π‘œπ‘™π‘£π‘’π‘‘ π‘–π‘›π‘‘π‘œ π‘Ž π‘£π‘’π‘Ÿπ‘ π‘–π‘œπ‘› π‘–π‘›π‘ π‘π‘–π‘Ÿπ‘’π‘‘ 𝑏𝑦 π‘šπ‘¦ π‘Ÿπ‘’π‘‘π‘’π‘Ÿπ‘› π‘‘π‘œ π‘‘β„Žπ‘’ π‘‘π‘Žπ‘›π‘π‘’π‘“π‘™π‘œπ‘œπ‘Ÿ.  π‘‡β„Žπ‘’ π‘£π‘–π‘‘π‘’π‘œ π‘šπ‘Žπ‘Ÿπ‘˜π‘  π‘€π‘Žπ‘Ÿπ‘‘π‘–π‘š πΊπ‘Žπ‘šπ‘’π‘™π‘Žπ‘ β€™ 𝑑𝑒𝑏𝑒𝑑 π‘Žπ‘  π‘Ž π‘šπ‘’π‘ π‘–π‘ π‘£π‘–π‘‘π‘’π‘œ π‘‘π‘–π‘Ÿπ‘’π‘π‘‘π‘œπ‘Ÿ, 𝑖𝑑 π‘€π‘Žπ‘  π‘“π‘–π‘™π‘šπ‘’π‘‘ 𝑖𝑛 πΏπ‘œπ‘›π‘‘π‘œπ‘› π‘€π‘–π‘‘β„Ž π‘Ÿπ‘œπ‘™π‘™π‘’π‘Ÿ π‘ π‘˜π‘Žπ‘‘π‘’π‘Ÿ π‘‰π‘Žπ‘›π‘‘π‘œ π‘…π‘œπ‘™π‘™π‘–π‘›π‘”.

β€œThe boldly transnational Neon Colonialismo features lusophone luminaries. Underlying the club-ready bangers is Batida’s ongoing mission of creative anti-colonialism, here taking the form of transatlantic sounds that flow together with irresistible force.”  (Pop Matters, US)  



'A Byte of AMC' - vintage music video by Bleep (1989)

Bleep aka Geir Jenssen was a member of Bel Canto. After several EPs and a debut solo album on SSR (as Bleep), he went on to become a leading ambient electronic composer under his Biosphere moniker. This track pays tributeto Manchester hip hop duo Kiss AMC and their cheeky track A Bit of U2… and also includes an -authorized- sample from the Sussan Deyhim/Richard Horowitz album Desert Equations (recently reissued by Crammed).

The track is part features on "Rare SSR Electronica ’88-94 (Crammed Archives 1)” recently released on digital.

Noteworthy fact: the debut singles by Geir Jenssen and Per Martinsen on SSR are considered as the first Norwegian techno tracks ever.
Batida - β€œBom Bom” feat. Mayra Andrade

Batida - β€œBom Bom” feat. Mayra Andrade

This single and music video announce the return of Batida (aka Pedro CoquenΓ£o), who feels that β€œBom Bom” is his most personal song to date.

Out now on Crammed Discs, the song talks about leaving a dark place and aiming for the individual and social good (β€œbom”). It was recorded with the precious collaboration of renowned Cape Verdean singer Mayra Andrade. The first meeting between Mayra and Pedro took place several years ago, but it was the confinement that brought them together. Exchanges of views on the planet, on values and on common words such as equity and dignity, melodies shared by sending audio sketches via mobile phones, all this ended up with a meeting in the studio, to transform this batida (literally β€œbeat”) into a dance anthem.

Steven Brown drops Resist music video

Steven Brown drops Resist music video

Following β€œWarning”, the first single off his gorgeous, upcoming album, Tuxedomoon co-frontman Steven Brown releases a music video for a song whose chorus resounds all the more ominously right now: "The past is not over, the past is not past I have no choice but to be An enemy of my time, this faceless tyranny time This fiendish time, this time of fiends"

Directed by Sergio MΓ©rida and shot in Oaxaca, Mexico, the video alternates between footage of social rebellion in Mexico and other parts of the world, and shots of Steven performing the song in a Belle Epoque theatre.

The lyrics are partly inspired by Jean-Luc Godard.
Steven Brown’ album El Hombre Invisible, a hypnotic song cycle with remarkable sparse, elegant arrangements, was recorded in Steven’s adopted hometown of Oaxaca, and mixed in Berlin, is out on Crammed Discs on vinyl, cd and digital.

Congotronics International

Congotronics International

(The supergroup incl. Konono NΒΊ.1, Kasai Allstars, Deerhoof, Juana Molina, Wildbirds & Peacedrums and Skeletons) share new single & live video of β€œWhere’s The One?”, the title track of their new collaborative album

Where’s The One (digital single+ live video)

Congotronics International, the supergroup of Konono NΒΊ1, Kasai Allstars, Deerhoof, Juana Molina, Wildbirds & Peacedrums, and Skeletons’ Matt Mehlan, release  the title track of their forthcoming collaborative album due out on April 29th via Crammed Discs.

Where’s The One is a superb, powerful effort blending Congolese & psychedelic rock guitars, vocals in Songye language by Kasai Allstars and in English by Matt Mehlan. Plus a recurring, nonsensical hook sung by Molina, Deerhoof’s Satomi Matsuzaki & Mariam Wallentin from Wildbirds & Peacedrums. Mehlan’s lyrics refer to Congolese and Western band members’ initial difficulties in correctly understanding each other’s rhythms (as is: β€œwhere does the first beat actually fall?”).

The single edit of the track arrives alongside an electrifying live performance of β€œWhere’s The One?”, filmed at Roskilde Festival 2011 and excerpted from the upcoming full-length Congotronics International documentary, directed by Pierre Laffargue.

β€œWhere’s The One?” follows the album’s two initial singles, β€œBanza Banza” and β€œBeyond The 7th Bend,” which collectively earned praise and support from The New York Times, Stereogum, Guitar World, and more. The album is now on pre-order.

New KASAI ALLSTARS music video:

New KASAI ALLSTARS music video:

The Large Bird, the Woman and the Baby (Khalab Remix)

The Kinshasa DRC collective pursues its productive streak: elected by numerous publications as one of the top albums of 2021, their acclaimed 4th album (Black Ants Always Fly Together, One Bangle Makes No Sound) was recently followed by the Black Ants Remixed EP, in which six diverse and equally exciting artists revisited tracks from the album.

Alongside reworks by Deerhoof, Ekiti Sound, Martin Meissonnier and Spooky-J & pq from Nihiloxica, the EP contains an eerie remix by Italian Afro-Futurist Khalab.
This is the track picked by the band for their 3rd music video: they were inspired by the supernatural atmosphere which, they felt, is a great illustration to the song’s tale of magic.

Conceived once again by Kasai Allstars’ guitarist & producer Mopero Mupemba, the video was shot in the midst of a forest near Kinshasa, and features vocalist Muambuyi, coming to grips with otherworldly creatures.

The video was directed by Ema Wanet, edited by Wanet and Mopero Mupemba, and post-produced by Simon Dehoux/Fromwhere


Skyline Drive, the leading track of The Skyline EP, was originally intended for Stubbleman's 2019 album Mountains and Plains, then selected for a 4D sound compilation which never saw the light of day, and lay forgotten... until now. It was inspired by the resplendent fall colours of Skyline Drive, the road that snakes its way across the crest of the Blue Ridge Mountains of Virginia, floating high above the Shenandoah valley, with its blazing oaks, birches, poplars and maples.



After the long corona-induced hiatus which followed the release of Kaloli, the breathtaking debut album by the Anglo-Ugandan band, Nihiloxica join forces with some of the UK scene’s most unique purveyors of bass for the band’s first ever remixes. Now, as clubs begin to reopen and the band prepares to tour once again, these five tracks redirect the densely percussive and synthetic sonic territory of the band’s debut album Kaloli into club-friendly ammunition for the recently re-employed DJs of the world.

"KALOLI RECYCLED EP” is out on all digital platforms on October 8


Kasai Allstars

Kasai Allstars

Musungu Elongo Paints His Face White To Scare Small Children (Official Music Video)

The legendary collective from the DRC Congo have recently released their 4th album Black ants always fly together, one bangle makes no sound, which marks a new milestone in their already rich history, as the band have incorporated their own approach to electronic music into their new tracks.

Musungu Elongo
is the 2nd video off the album. It was shot in Kinshasa, and directed by Kasai Allstars guitarist Mopero Mupemba.

This is the story behind the lyrics: in certain villages of the Basongye people, someone occasionally plays the part of a traditional character named Musungu Elongo. He covers his face with white clay to scare naughty little children. He runs after them and threatens to devour them if they don't behave (and if they don't give him candies and nuts).

The track was produced (as was the whole album) by Mopero Mupemba, and was mixed by Vincent Kenis.

Coming up soon: β€œBlack Ants Remixes”, a digital EP containing 6 remixes of tracks off the album (made by Deerhoof, Khalab, Martin Meissonnier, Ekiti Sound, and Nihiloxica’s Spooky-J and pq), as well as a previously-unreleased original Kasai Allstars song.

Un grand sommeil noir

Un grand sommeil noir

AQUASERGE announce new album with a poem by VERLAINE set to music by EDGAR VARÈSE

This new video & digital single is an appetizer for the upcoming album by incomparable French avant-pop band Aquaserge.

Un grand sommeil noir
 is the band’s interpretation of one of the rare songs by revered composer Edgard VarΓ¨se, who set a poem by Paul Verlaine to music, in 1906.

This lovely melody is carried by the voices of Aquaserge’s Julien Gasc and Audrey Ginestet. The video was filmed by Karine Pain & GaΓ«tan Chataigner, and edited by Karine Pain.

As for Aquaserge’s new album, it’s a very special project in which the band set themselves quite a challenge: drawing inspiration from four major, atypical figures in contemporary classical music from the mid-20th century (Ligeti, Scelsi, VarΓ¨se and Morton Feldman), in order to write & record an album which joyfully blurs boundaries between rock and what used to be called β€˜serious music’. 

Entitled The Possibility of a New Work for Aquaserge (the title is inspired by that of a Morton Feldman piece), the album will be released on October 15, as part of Made To Measure, Crammed Discs’ celebrated composers’ series, which is being reactivated in 2021 after a long slumber.

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