Crammed has released over 250 albums and 250 singles by artists from all over the world, ranging from Aksak Maboul to Bel Canto, Carl Craig, DJ Morpheus (& the Freezone series), Eddie Fowlkes, Flat Earth Society, The Gruesome Twosome, The Honeymoon Killers (let's skip some letters) ... to Snooze, Suba, Tek 9 & 4hero, Zap Mama, Hector Zazou and Zuco 103 ...
Crammed's sub-labels have included the Made To Measure composers' series, world music collection Cramworld, electronic music imprints SSR, Language & Selector, and Ziriguiboom, a collection devoted to new Brazilian music. Nowadays, Crammed would like to believe that borders between genres are no longer indispensable, so most releases tend to come out under the simple "Crammed" banner.
Crammed's current roster includes Konono N°1, Cibelle, Koçani Orkestar, Taraf de Haidouks, Bebel Gilberto, Balkan Beat Box, DJ Dolores, Tuxedomoon, Shantel, Kasai Allstars, Think Of One, Mahala Rai Banda, newcomers Lonely Drifter Karen & Allá, and more.
Four cult Crammed albums to be reissued on vinyl
Starting with Yasuaki Shimizu's legendary 1987 album "Music For Commercials"
We're excited to announce the reissue of Juana Molina's "Un Dia" (2008), "Noir et Blanc" by Zazou/Bikaye/CY1 (1983), Aksak Maboul's "Un peu de l'âme des bandits" (1980), and Yasuaki Shimizu's "Music For Commercials"
Originally issued by Crammed in 1987, this is one of the most sought-after releases in our legendary Made To Measure series. Known for his numerous albums, soundtracks, and collaborations with an impossibly broad array of artists (from Ryuichi Sakamoto and DJ Towa Tei to Van Dyke Parks, Björk, Manu Dibango and Elvin Jones), composer, saxophonist and producer Yasuaki Shimizu also released several electronic music productions during the '80s, which are currently generating a lot of interest (a.o. his recently reissued Mariah project).
"Music For Commercials" is a brilliant and inventive collection of short pieces, initially conceived as soundtracks for Japanese TV commercials (and bearing sweet titles such as “Seiko”, “Sharp”, “Honda” etc). These twenty-three tracks (each clocking in at two minutes or less, except one longer piece composed for a computer-animation short) abound with hit-and-run sound collages, twittering computers, and energetic ricocheting between myriad styles of music. This album has achieved near-mythical status in the last few years, which have seen artists such as Oneohtrix Point Never sing its praise.
The album has been remastered, and is coming out on vinyl, as well as CD and digital.
