Crammed has released over 250 albums and 250 singles by artists from all over the world, ranging from Aksak Maboul to Bel Canto, Carl Craig, DJ Morpheus (& the Freezone series), Eddie Fowlkes, Flat Earth Society, The Gruesome Twosome, The Honeymoon Killers (let's skip some letters) ... to Snooze, Suba, Tek 9 & 4hero, Zap Mama, Hector Zazou and Zuco 103 ...

Crammed's sub-labels have included the Made To Measure composers' series, world music collection Cramworld, electronic music imprints SSR, Language & Selector, and Ziriguiboom, a collection devoted to new Brazilian music. Nowadays, Crammed would like to believe that borders between genres are no longer indispensable, so most releases tend to come out under the simple "Crammed" banner.

Crammed's current roster includes Konono N°1, Cibelle, Koçani Orkestar, Taraf de Haidouks, Bebel Gilberto, Balkan Beat Box, DJ Dolores, Tuxedomoon, Shantel, Kasai Allstars, Think Of One, Mahala Rai Banda, newcomers Lonely Drifter Karen & Allá, and more.



A couple of weeks after his new 𝑡𝒆𝒐𝒏 π‘ͺπ’π’π’π’π’Šπ’‚π’π’Šπ’”π’Žπ’ album, Angolan/Portuguese artist Batida releases a new music video, which he describes as follows:

β€œπ΅π‘’π‘š π‘£π‘–π‘›π‘‘π‘œβ€ π‘šπ‘’π‘Žπ‘›π‘  β€œπ‘€π‘’π‘™π‘π‘œπ‘šπ‘’β€ 𝑖𝑛 π‘ƒπ‘œπ‘Ÿπ‘‘π‘’π‘”π‘’π‘’π‘ π‘’. 𝐼𝑑 π‘€π‘Žπ‘  π‘‘β„Žπ‘’ π‘™π‘Žπ‘ π‘‘ π‘‘π‘Ÿπ‘Žπ‘π‘˜ 𝐼 π‘“π‘–π‘›π‘–π‘ β„Žπ‘’π‘‘ π‘“π‘œπ‘Ÿ π‘‘β„Žπ‘–π‘  π‘Žπ‘™π‘π‘’π‘š, π‘Žπ‘›π‘‘ 𝑖𝑑 𝑒𝑛𝑑𝑒𝑑 𝑒𝑝 𝑏𝑒𝑖𝑛𝑔 π‘‘β„Žπ‘’ π‘œπ‘π‘’π‘›π‘’π‘Ÿ. π΅π‘’π‘š π‘‰π‘–π‘›π‘‘π‘œ π‘ π‘‘π‘Žπ‘Ÿπ‘‘π‘’π‘‘ π‘€π‘–π‘‘β„Ž π‘Ž π‘—π‘Žπ‘š π‘ π‘’π‘ π‘ π‘–π‘œπ‘› π‘€π‘–π‘‘β„Ž π‘šπ‘¦ π‘“π‘Ÿπ‘–π‘’π‘›π‘‘ π‘“π‘Ÿπ‘œπ‘š πΏπ‘’π‘Žπ‘›π‘‘π‘Ž (π΄π‘›π‘”π‘œπ‘™π‘Ž) 𝐷𝐽 π‘†π‘Žπ‘‘π‘’π‘™π‘–π‘‘π‘’ π‘‘π‘’π‘Ÿπ‘–π‘›π‘” β„Žπ‘–π‘  𝑣𝑖𝑠𝑖𝑑 π‘‘π‘œ πΏπ‘–π‘ π‘π‘œπ‘Ž, π‘Žπ‘›π‘‘ π‘‘β„Žπ‘’π‘› π‘’π‘£π‘œπ‘™π‘£π‘’π‘‘ π‘–π‘›π‘‘π‘œ π‘Ž π‘£π‘’π‘Ÿπ‘ π‘–π‘œπ‘› π‘–π‘›π‘ π‘π‘–π‘Ÿπ‘’π‘‘ 𝑏𝑦 π‘šπ‘¦ π‘Ÿπ‘’π‘‘π‘’π‘Ÿπ‘› π‘‘π‘œ π‘‘β„Žπ‘’ π‘‘π‘Žπ‘›π‘π‘’π‘“π‘™π‘œπ‘œπ‘Ÿ.  π‘‡β„Žπ‘’ π‘£π‘–π‘‘π‘’π‘œ π‘šπ‘Žπ‘Ÿπ‘˜π‘  π‘€π‘Žπ‘Ÿπ‘‘π‘–π‘š πΊπ‘Žπ‘šπ‘’π‘™π‘Žπ‘ β€™ 𝑑𝑒𝑏𝑒𝑑 π‘Žπ‘  π‘Ž π‘šπ‘’π‘ π‘–π‘ π‘£π‘–π‘‘π‘’π‘œ π‘‘π‘–π‘Ÿπ‘’π‘π‘‘π‘œπ‘Ÿ, 𝑖𝑑 π‘€π‘Žπ‘  π‘“π‘–π‘™π‘šπ‘’π‘‘ 𝑖𝑛 πΏπ‘œπ‘›π‘‘π‘œπ‘› π‘€π‘–π‘‘β„Ž π‘Ÿπ‘œπ‘™π‘™π‘’π‘Ÿ π‘ π‘˜π‘Žπ‘‘π‘’π‘Ÿ π‘‰π‘Žπ‘›π‘‘π‘œ π‘…π‘œπ‘™π‘™π‘–π‘›π‘”.

β€œThe boldly transnational Neon Colonialismo features lusophone luminaries. Underlying the club-ready bangers is Batida’s ongoing mission of creative anti-colonialism, here taking the form of transatlantic sounds that flow together with irresistible force.”  (Pop Matters, US)  

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